Climate Chambers II, 1998

At the World Expo in Lisbon in 1998, Bigert & Bergström were commissioned to create the main exhibition for the Swedish pavilion. The installation “Climate Chambers II” was an ...
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The Global Tendency Machine, 1998

In 1998 Stockholm was elected cultural capital of Europe. Bigert & Bergström created a sculptural architecture nicknamed “The Cockroach” as part of the exhibition “The ...
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Love Is In The Air, 1997

This installation borrowed its title from the famous song celebrating the anti-gravitational aspects of love. The installation consisted of an exploded chamber where only the skeleton of the ...
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Koma-Amok, 1997

In the forest, far away from civilization, a faint mechanical ticking sound can be heard. Among moss and tree trunks stands a broken down traffic sign that with no apparent reason switches ...
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Therapy Taxi, 1996-97

Therapy Taxi (1996–97) provides a regular taxi service in a modified Volkswagen Space Wagon model 1996. Upon the ...
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Bubblegum Pink, 1996

The expression Bubblegum Pink originated in the American prison system. The color was used in special cells to calm and soothe aggressive prisoners. In the installation ...
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Looped Incubator, 1995

A performance-installation where we walk on a revolving floor inside an inflated incubator. We walk for four hours every day in opposite directions, while maintaining the same distance from one ...
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Climate Chambers I, 1994

Five sculptural chambers encircle a centrally placed inflated dome. This forms the molecular floor plan of “Climate Chambers I”. The participants, through revolving doors, enter a ...
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Red/Greenhouse, 1993

As a commission for the subway station of Odenplan in Stockholm, an underground greenhouse was installed on the platform. Inside the glass and steel construction two inflatable ...
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Studio Bigert & Bergström

Västmannagatan 73
113 26 Stockholm


Mats Bigert
+46 708 57 86 52

Lars Bergström
+46 708 57 86 53

Represented by:
Gallery Niklas Belenius, Stockholm

Galerie Barbara Thumm, Berlin
Cis Art Lodgers, Barcelona


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